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Front Country

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When reserving a section, please reference the seating chart above.  YOUR SELECTION CANNOT BE REFUNDED AFTER PURCHASE.  You may release your purchased section to someone else with advance notice.  email roastingroom@gmail.com to release purchased tickets to another attendee. YOUR SECTION WILL BE HELD FOR YOU FOR 1 HOUR AFTER THE STATED SHOWTIME. IF YOU DO NOT CLAIM YOUR SECTION, IT WILL BE GIVEN TO GENERAL ADMISSION. To avoid this, email roastingroom@gmail.com if you need extra time accommodation.

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FRONT COUNTRY

One day in late February, the five members of Front Country were warming up for their record release show at the renowned bluegrass club the Station Inn, in their new home base of Nashville, Tenn. They'd never played most of these songs live before.

It wasn't a given that these musicians would wind up in anything remotely resembling a bluegrass band. Singer Melody Walker got into world music and belted out roots-rock. Bassist Jeremy Darrow studied jazz. Leif Karlstrom trained as a classical violinist, and still prefers that title to "fiddle player." Mandolinist Adam Roszkiewicz studied classical guitar at the San Francisco Conservatory of Music.

The actual guitarist in the band, Jacob Groopman, did his share of exploring after college, too.

"I was in an Afrobeat group for about five years, touring around in this 10-piece kind of hippie Afrobeat band," Groopman says.

In the bluegrass world, musicians tend to define themselves by their relationships to tradition — specifically, the tradition of high-and-lonesome singing and a hard-driving sound. There are regional variations from Virginia to Colorado. The West Coast has its own freewheeling tradition, and that's where Front Country started out: at a monthly jam in San Francisco. Then its members heard about a band contest at a bluegrass festival.

"And we ended up winning that band competition," Walker says. "The very next day, I made a website for the band because I thought maybe people will be Googling Front Country at that point, possibly."

From that point on, Front Country was a serious band. The group made a mixtape reimagining songs by Don Henley, King Crimson and the indie-pop band tUnE-yArDs.

Front Country does play traditional tunes on the new album, like the Carter Family's "The Storms Are On The Ocean" — though Roszkiewicz admits their arrangement makes it sort of unrecognizable.

"It's not so much to ruin it on principle with the rock music," he laughs. "We might be doing things differently, but at the heart of it, it's just songs, good songs we like that we can get behind."

Most of the new material, though, is original. Walker is the band's primary songwriter, and for the album, she submitted 20 songs to her bandmates for a vote. One, called "Good Looking Young People," seemed an especially unlikely candidate.

"When I wrote it, I had an iPad drum machine app that I was using," she explains. "So I had this beat that was kind of this super 808-sounding thing... Like, very Phil Collins, 'In the Air Tonight.' "

The group decided to keep the rhythmic ideas and ditch the drum machine. And while Front Country's members are more than capable of using traditional techniques on their instruments, they often choose not to.


Earlier Event: October 9
Cody Webb