Tickets | $15
HOW TO PURCHASE TICKETS:
First, decide where you’d like to be located in the room. Reference the seating chart below, then use the “Ticket Location” dropdown menu above to make a selection. When purchasing a section, set quantity to 1. Each seated section purchase includes 2 tickets.
If a section is not listed in the dropdown menu, it's been purchased or held.
NOTE: THE CHART BELOW IS SIMPLY A REFERENCE AND IS NOT CLICKABLE.
When reserving a section, please reference the seating chart above. YOUR SELECTION CANNOT BE REFUNDED AFTER PURCHASE. You may release your purchased section to someone else with advance notice. email firstname.lastname@example.org to release purchased tickets to another attendee. YOUR SECTION WILL BE HELD FOR YOU FOR 1 HOUR AFTER THE STATED SHOWTIME. IF YOU DO NOT CLAIM YOUR SECTION, IT WILL BE GIVEN TO GENERAL ADMISSION. To avoid this, email email@example.com if you need extra time accommodation.
Barstools in the General Admission areas are first come-first served. As you can see, there are very few stools. For General Admission ticket holders, we recommend arriving at the stated door time to get a barstool, though they are not guaranteed and cannot be reserved. STANDING FOR THE ENTIRETY OF THE SHOW MAY OCCUR IF A GENERAL ADMISSION TICKET IS PURCHASED. NO REFUNDS WILL BE OFFERED FOR GENERAL ADMISSION TICKETS.
THE ARTIST HAS FULL DISCRETION IN REGARDS TO START TIME, SET LENGTH, BREAK LENGTH, AND ENDING TIME. THE VENUE IS NOT HELD LIABLE FOR ANY INCONVENIENCES ARISING FROM ARTIST’S FINAL DISCRETION. THE POSTED START TIME IS A GUIDE ONLY.
By purchasing tickets, you agree to the above statement.
On the North Carolina side of the Southern Appalachians, the land still retains its secrets.
It’s a place of paradoxes, where poverty is handed down from one hardscrabble generation to the next in towns passed over by the New South progress that gives a city like Asheville its bourgeois charm. It’s a resilient pocket of wilderness where a small band of Cherokee once disappeared into the misty hollers to wait out the white man’s ire, back in the deep woods where old growth timber blocks out the sunlight and compass needles sometimes spin crazily and the trappings of civilization give way to things beyond human understanding.
On the cusp of releasing his 13th studio album — “Come Hell or High Water,” out XXX on Singular Recordings — singer-songwriter Malcolm Holcombe is a both a part of and apart from those Blue Ridge hills, a Southern folk golem brought to life by the deeper mysteries that give these hills so much of their folklore.
His songs belong in the same Western North Carolina echelon of mysteries like the Brown Mountain Lights or the ghostly apparitions along Helen’s Bridge or the phantom choir of Roan Mountain — things that surpass conventional explanation but summon forth a combination of awe and primal longing, an ache to understand the great questions of the human condition.
Malcolm may not have the answers to those questions, but his songs are drawn from the same waters that begin as a trickle in the deep woods: wild, untamed, filled with the whispers and roars of all the mysteries and wonders those hills contain. And like the region’s otherworldly manifestations, they come from a place that transcends easy understanding, even by their creator.
“I don’t know, man; people ask me that stuff, and I can’t really tell you where it comes from,” Holcombe says. “I’m not really good at pulling a Houdini and getting the pencil to levitate. Getting my pencil to levitate is impossible; it’s not in my realm of being. Like my friend Eddie from up here in Swannanoa says, ‘If you like to get corn, you got to get out the hoe.’”